SculptureCenter

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SculptureCenter is a contemporary art museum located in Long Island City, New York. It is a unique destination for tourists who are interested in exploring contemporary art, particularly sculpture, installation, and mixed-media works. The museum's exhibitions feature emerging and established artists from around the world, providing visitors with an opportunity to experience new and innovative art. In addition to its exhibitions, SculptureCenter also hosts a variety of educational programs, including artist talks, workshops, and guided tours, providing visitors with a deeper understanding of the artworks and the creative process behind them. The museum's location in Long Island City is also an attraction in itself, with its vibrant arts community and stunning views of the Manhattan skyline. It is easily accessible by public transportation, making it a convenient and worthwhile stop for tourists visiting New York City.

44-19 Purves St, Long Island City, NY 11101 Get Directions





SculptureCenter Videos

Matt Keegan’s what was & what is complicates narratives of real estate development through an architectural intervention and shared personal histories. As part of the work, Keegan is joined three times by his father at the site of his temporary public sculpture in Court Square Park to talk about brushes with power, personal experiences of urban development, and feelings of proximity and distance from the continual transformation of living and working space in New York. Topics of conversation will range from Mr. Keegan’s childhood job at a private golf course shuttered by Robert Moses and, much later, his reading of Robert Caro’s The Power Broker, to his previous ownership of a bar-restaurant near the Vernon Boulevard—Jackson Avenue 7 train in Long Island City. Video: Jen Atalla

Matt Keegan’s 'what was & what is' complicates narratives of real estate development through an architectural intervention and shared personal histories. As part of the work, Keegan is joined three times by his father at the site of his temporary public sculpture in Court Square Park to talk about brushes with power, personal experiences of urban development, and feelings of proximity and distance from the continual transformation of living and working space in New York. Topics of conversation will range from Mr. Keegan’s childhood job at a private golf course shuttered by Robert Moses and, much later, his reading of Robert Caro’s The Power Broker, to his previous ownership of a bar-restaurant near the Vernon Boulevard—Jackson Avenue 7 train in Long Island City. Matt Keegan, 'what was & what is,' 2019, documentation of conversation with Ed Keegan, June 13, 2019, Court Square Park, Long Island City, New York. Plexiglas, mirrored glass, aluminum, stainless steel, vinyl, UV print on Dibond. 96 x 109.5 x 192.2 inches (43.8 x 278.1 x 489 cm). Commissioned by SculptureCenter, New York. Courtesy the artist and Altman Siegel, San Francisco. Video: Jen Atalla

Matt Keegan’s 'what was & what is' complicates narratives of real estate development through an architectural intervention and shared personal histories. As part of the work, Keegan is joined three times by his father at the site of his temporary public sculpture in Court Square Park to talk about brushes with power, personal experiences of urban development, and feelings of proximity and distance from the continual transformation of living and working space in New York. Topics of conversation will range from Mr. Keegan’s childhood job at a private golf course shuttered by Robert Moses and, much later, his reading of Robert Caro’s The Power Broker, to his previous ownership of a bar-restaurant near the Vernon Boulevard—Jackson Avenue 7 train in Long Island City. Matt Keegan, 'what was & what is,' 2019, documentation of conversation with Ed Keegan, May 23, 2019, Court Square Park, Long Island City, New York. Plexiglas, mirrored glass, aluminum, stainless steel, vinyl, UV print on Dibond. 96 x 109.5 x 192.2 inches (43.8 x 278.1 x 489 cm). Commissioned by SculptureCenter, New York. Courtesy the artist and Altman Siegel, San Francisco. Video: Jen Atalla

The artists in "74 million million million tons" contribute to and corroborate accounts of significant events (and shifts) in material, social, technological, and/or political realities. Their works do not simply stand in for or index broader concepts and political issues, but move beyond the role of representation to become elements that are integral to the comprehension of contemporary occurrences and ensuing narratives. Connected by their methods of investigation and observation, more so than the specific situations or themes their artworks address, the artists in the exhibition produce evidence. They engage with information and aesthetics—often as they are controlled, obscured, fabricated, or abstracted by confluences of technology, economics, and politics—while operating at the limits of perception and detectability to create a new visual lexicon through which those at the threshold of politics can emerge. These artists use, present, manipulate, and subsequently produce new materials in order to actively participate in the construction of meaning around evolving discourses. The program opened with a lecture by artist and researcher Susan Schuppli and was followed by presentations about their works in the exhibition by artists George Awde, Shadi Habib Allah, and Daniel R. Small. To conclude, curators Ruba Katrib and Lawrence Abu Hamdan led a discussion with the program participants. Susan Schuppli @2:20 George Awde @30:05 Daniel R. Small @40:30 Shadi Habib Allah @58:54 Discussion @1:10:10 Program date: April 29, 2018, 2pm-4pm Program information: http://www.sculpture-center.org/eventsEvent.htm?id=138566 74 million million million tons Shadi Habib Allah, George Awde, Carolina Fusilier, Sidsel Meineche Hansen, Hiwa K, Nicholas Mangan, Sean Raspet and Nonfood, Susan Schuppli, Daniel R. Small, Hong-Kai Wang April 30 - July 30, 2018 Curated by Ruba Katrib and Lawrence Abu Hamdan Exhibition information: http://www.sculpture-center.org/exhibitionsExhibition.htm?id=138467

APPLY ONLINE: https://www.sculpture-center.org/public_process APPLICATION DEADLINE: Sunday, April 21, 2019 PROGRAM DATES: July 8-26, 2019, Monday to Friday, 9am to 2pm Public Process is a free three week summer program for high school students that explores public art, urban planning, and architecture. In an intensive lineup of field trips and discussion sessions, students explore the city and engage firsthand with the artists and professionals who shape the cultural and civic life of New York. In past years, Public Process students have met with curators from Public Art Fund, Socrates Sculpture Park, The Shelley and Donald Rubin Foundation, and the Times Square Alliance; representatives from the New York City Departments of Parks & Recreation, Cultural Affairs, and Transportation; and writers from Art in America, in addition to SculptureCenter's staff and members of Long Island City community organizations. View photos of last year’s Public Process program here: https://www.facebook.com/pg/sculpturecenternyc/photos/?tab=album&album_id=10150855050274950 *Public Art Commission* Public Process offers fresh perspectives on art and urbanism and an immediate opportunity to impact public space: at the end of the program, students visit artists in their studios to evaluate proposals for a temporary public artwork for Long Island City. Together, they form a panel to select a winning commission to be produced by SculptureCenter the following summer. Past Public Process classes have commissioned Mika Tajima's "Meridian (Gold)" and Xaviera Simmons' "Convene" for the waterfront of Hunter's Point South Park and "Words Like Love: Alphaville, First Scenes," a billboard for Jackson Avenue by Alejandro Cesarco. *SculptureCenter* Public Process is run by SculptureCenter, a non-profit contemporary art museum in Long Island City. SculptureCenter leads the conversation on contemporary art by supporting artistic innovation and independent thought highlighting sculpture’s specific potential to change the way we engage with the world. *Program Details* Public Process is FREE to all accepted students. SculptureCenter raises funds to cover tuition for all program participants. School credit and community service hours are available to qualified students. All students accepted into the Public Process program will receive an MTA MetroCard to subsidize their travel expenses, along with daily snacks and writing materials. *Questions?* Call SculptureCenter at 718.361.1750. About Public Process www.sculpture-center.org/publicprocess About SculptureCenter www.sculpture-center.org Video directed and edited by Michael Fodera for SculptureCenter

Alejandro Cesarco Words Like Love: Alphaville, First Scenes, 2017 Installation, 14-by-48-foot billboard Jackson Avenue at the intersection of Queens Plaza in Long Island City Words Like Love: Alphaville, First Scenes, is a temporary public art project by Alejandro Cesarco. Cesarco's project is the second artwork commissioned through SculptureCenter's art education program Public Process. Words Like Love: Alphaville, First Scenes is a textual interpretation of the opening scene of filmmaker Jean-Luc Godard's Alphaville (1965), an iconic science fiction/noir film that describes a futuristic dystopian society controlled by a supercomputer. Re-translating the film back into a screenplay, Cesarco's project stresses the descriptive and prescriptive function of scripts: the text in this case is made to both mirror its surroundings and, to some extent, dictate the reality we see before us. Through its prominent placement over a busy intersection in Queens, the billboard points to how texts mediate public space and social life while locating critical and resistant capacities in the acts of reading and interpretation. Alejandro Cesarco (born Montevideo, Uruguay; lives and works in New York) addresses, through different formats and strategies, his recurrent interests in repetition, narrative, and the practices of reading and translating. Recent solo exhibitions include: Play, Tanya Leighton Gallery, Berlin (2015); Loyalties and Betrayals, Murray Guy, New York (2015); Secondary Revision, Frac île-de-France/ Le Plateau, Paris (2013); A Common Ground, Uruguayan Pavilion, 54th Venice Biennial (2011); One Without The Other, Museo Rufino Tamayo, Mexico (2011); Present Memory, Tate Modern, London (2010). About Public Process: Public Process is an intensive program for high school students that uses New York City's rich public art landscape to explore the history and impact of public art and its community influence. In July 2016, thirteen high school students participated in a three-week course providing interactions and presentations by seasoned professional curators, architects, local historians, and public art organization representatives, and opportunities to visit public art sites. SculptureCenter Executive Director and Chief Curator Mary Ceruti invited three artists to make proposals for a public artwork in Long Island City and present their ideas to the students on studio visits at the end of July. On the last day of the course, the students made presentations and debated the proposals, ultimately selecting Cesarco's project for the commission. Alejandro Cesarco: Words Like Love: Alphaville, First Scenes June 3 - July 2, 2017 Curated by SculptureCenter Executive Director and Chief Curator, Mary Ceruti Exhibition information: http://www.sculpture-center.org/exhibitionsExhibition.htm?id=121018 Video: Kyle Knodell

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SculptureCenter News

Matthew Lutz-Kinoy's FILLING STATION to be Presented at The Kitchen This Fall

Immerse yourself in the captivating world of Matthew Lutz-Kinoy's exhibition 'Filling Station,' as it takes you on a journey through the fascinating realm of art and architecture. Presented by The Kitchen and Dia Art Foundation, this exhibition is a must-see for art enthusiasts and architecture lovers alike.

Performance Space New York Presents MORIAH EVANS: REMAINS PERSIST, Activating the Stories Different Bodies Contain

Performance Space New York presents Moriah Evans: Remains Persist, a performance exploring and excavating the body's internal, imperceptible, and at times immaterial remains, December 10, 11, 17, 18 in the Keith Haring Theatre (150 1st Avenue, New York).

Kareem Fahmy, Shariffa Ali and More to be Featured in Hermitage Artist Retreat January 2023 Programming

The Hermitage Artist Retreat has announced the first several programs for the new calendar year. These events will be presented on the Hermitage’s historic beachfront campus on Manasota Key and throughout Sarasota County.

MORIAH EVANS: REMAINS PERSIST to be Presented at Performance Space New York in December

 Performance Space New York will present Moriah Evans: Remains Persist, a durational performance that explores and excavates the body’s internal, imperceptible, and at times immaterial remains, December 10, 11, 17, 18 in the Keith Haring Theatre.

Queer|Art Announces The Winner Of 2022 Barbara Hammer Lesbian Experimental Filmmaking Grant

Queer|Art, New York City's home for the creative and professional development of LGBTQ+ artists, has announced the winner of the 2021 Barbara Hammer Lesbian Experimental Filmmaking Grant, collaborative duo, Desireena Almoradie and Barbara Malaran. The New York City-based duo will receive a $7,000 cash grant, as well as studio visits with members of the judges panel in support of their creative and professional development.

Performance Space New York Announces HEALING SERIES This Fall

Performance Space New York has announced the Healing Series, a year-long reflection for the organization on the political potency of healing and the role performance plays in it, in the midst of what feels like a momentous shift in art-making to center modes and practices of care.

Sculpture Center Announced IN PRACTICE 2023 Open Call for Artists

In Practice 2023 marks the twentieth anniversary of SculptureCenter's signature open call program for artists, and the first year of a new format for the program. The new format will generate a yearlong series of solo institutional presentations and provide more substantial financial and production support to artists.

New NYC Arts Nonprofit CARA Launches Under Inaugural Executive Director

The Center for Art, Research and Alliances (CARA) – an emergent arts nonprofit, research center, and publisher – today announced its formal launch. CARA aims to expand public discourses and historical records to reflect art's abundant pasts, presents, and futures.

The Artist's Institute and SculptureCenter Partner for ARTISTS OR INSTITUTIONS

This spring, the Artist's Institute and SculptureCenter are co-organizing a series of talks and conversations to inspire new thinking about the future of small arts institutions. The invited speakers are artists who have deep and varied experiences working within and alongside arts organizations. Experimentation, artistic leadership, racial and economic justice, community building, and sustainability are among the topics they'll discuss.

Simone Subal Gallery New Exhibition Announced December 2 �" 6

Simone Subal Gallery will present new and historical work from a cross-section of our program, featuring works by Baseera Khan, Brian O'Doherty, Veronika Pausova, Emily Mae Smith, and Jesse Wine. The works on view put into new understanding the evolving nature of identity, the perniciousness of the art historical canon, the meaning of the creative act, and the construction of symbolic meaning.

Carol Bove To Lead SculptureCenter's Board Of Trustees

SculptureCenter has announced that artists Carol Bove and Sanford Biggers — two long-standing Trustees — have been appointed to lead the Board of the museum, representing a renewed dedication to SculptureCenter's artist-centric mission at the Board level.

Art Basel Online Viewing Rooms Present OVR: 2020 by Jesse Wine

Amorphous. Sinuous. Surreal expressions of capitalism's encroachment into the increasingly fleeting moments of sleep. The noise. The city. 24/7 energy. Jesse Wine's latest sculptures capture the contemporary moment: one that is uncertain, politically fraught, and ultimately precarious.

NADA Expands With New Members From Thirteen Cities

The New Art Dealers Alliance (NADA), the definitive non-profit arts organization dedicated to the cultivation, support, and advancement of new voices in contemporary art, has announced the addition of 21 new NADA Gallery Members to its international roster of art galleries, non-profits, and community run spaces. Hailing from 13 cities from 8 countries, the additions represent NADA's continued dedication to highlighting new artistic voices and supporting the global arts community.

NADA Announces New Digital Art Fair Initiative FAIR, May 20�"June 21

The New Art Dealers Alliance (NADA), the definitive non-profit arts organization dedicated to the cultivation, support, and advancement of new voices in contemporary art, has announced FAIR, built in partnership with Artlogic. FAIR is a new art fair initiative designed to be entirely online, function cooperatively, and act as a benefit for NADA's community of galleries, nonprofits and artists. Taking place May 20a?"June 21, 2020, FAIR will directly support 119 NADA Gallery Members and 80 other galleries that have been financially impacted by the COVID-19 crisis, totaling nearly 200 galleries around the world. 

SculptureCenter Joins Frieze Viewing Room

SculptureCenter has announced its participation in Frieze Viewing Room, a new digital platform designed to connect collectors with more than 200 exhibitors from around the world.


SculptureCenter Frequently Asked Questions

What are the closest subway stops to SculptureCenter

The closest subway stops to SculptureCenter at 44-19 Purves St in New York City are:

1. Court Square-23rd Street Station: This station is served by the E, G, M, and 7 trains. It's just a short walk away from SculptureCenter.

2. Queens Plaza Station: This station is served by the E, M, and R trains. It's also within walking distance of SculptureCenter.

Both of these subway stops provide convenient access to SculptureCenter, allowing you to easily explore this fantastic art institution.

While you're in the area, I recommend checking out some other nearby attractions and places to eat. Here are a few recommendations:

1. MoMA PS1: Located just a few blocks away from SculptureCenter, MoMA PS1 is a contemporary art museum that hosts cutting-edge exhibitions and events. It's definitely worth a visit if you're interested in contemporary art.

2. LIC Flea & Food: If you're looking for a unique shopping and dining experience, head over to LIC Flea & Food. This outdoor market offers a variety of food vendors, vintage clothing, handmade crafts, and much more.

3. Casa Enrique: If you're in the mood for some delicious Mexican cuisine, make sure to visit Casa Enrique. This Michelin-starred restaurant offers a menu filled with authentic Mexican flavors and a cozy atmosphere.

For the latest subway updates and service changes, I recommend checking the official website of the Metropolitan Transportation Authority (MTA) at https://new.mta.info/. This will provide you with real-time information on any delays or changes that may affect your travel plans.

Enjoy your visit to SculptureCenter and have a fantastic time exploring the vibrant neighborhood of Long Island City!


What's the best way to get to SculptureCenter by bus?

The closest bus stops to SculptureCenter at 44-19 Purves St in New York City are:

1. Purves St/43rd Ave: This bus stop is served by the Q67 bus. You can check for updates on the MTA website [here](http://www.mta.info/).

2. Jackson Ave/44th Dr: This bus stop is served by the Q32 and Q60 buses. You can check for updates on the MTA website [here](http://www.mta.info/).

Please note that bus schedules and routes may vary, so it's always a good idea to check for updates before your visit. Enjoy your time at SculptureCenter!


How much time should I plan to spend at SculptureCenter?

The ideal length of time to plan to spend at SculptureCenter in New York City can vary depending on your level of interest in contemporary art and sculpture. On average, visitors spend about 1-2 hours exploring the exhibitions and enjoying the outdoor spaces. However, if you are an art enthusiast or someone who loves to take their time, you may want to allocate more time to fully immerse yourself in the experience. Additionally, SculptureCenter often hosts special events, talks, and performances, so it's worth checking their schedule to see if there's anything you'd like to attend during your visit. Ultimately, the choice is yours, but rest assured that you'll have a memorable and enriching experience regardless of the time you spend at SculptureCenter.


Can I bring food and drinks into SculptureCenter?

SculptureCenter, located in Long Island City, is primarily an art museum and exhibition space rather than a food and drink establishment. However, they do have a small café on-site where you can grab a quick bite or a beverage. Keep in mind that the café's offerings may be limited, so if you're looking for a full meal, it's best to explore the nearby neighborhood for dining options. Long Island City has a vibrant culinary scene, with a variety of restaurants and cafes to suit different tastes and budgets.


Does SculptureCenter offer luggage storage?

SculptureCenter, located in Long Island City, is a contemporary art museum that showcases innovative and thought-provoking sculptures and installations. While they do not have a designated luggage storage facility, they do have a coat check area where you can leave your coats and smaller personal items. However, due to limited space, larger bags and luggage may not be accommodated.

If you are planning to visit SculptureCenter and have larger bags or luggage with you, it is advisable to make alternative arrangements for storage. There are several luggage storage services available throughout the city, such as Vertoe and LuggageHero, that provide secure storage options for a fee. These services have multiple locations, including near popular tourist areas, and offer convenient and safe storage solutions for your belongings.

Remember to plan ahead and check the specific requirements and availability of luggage storage services near your destination to ensure a hassle-free visit to SculptureCenter and other attractions in New York City.


Is SculptureCenter a good place to visit for foreign travelers who are not native English speakers?

Yes, SculptureCenter in New York City is a great destination for visitors from other countries and non-English language speakers. While English is the primary language spoken in the museum, the visual nature of the artwork allows for a universal appreciation and understanding. SculptureCenter showcases contemporary art and sculpture from around the world, providing a unique cultural experience for all visitors. The museum also offers guided tours and exhibition materials in multiple languages, ensuring that everyone can fully engage with the artwork and learn about the artists and their creative processes. So, whether you're a native English speaker or not, SculptureCenter is definitely worth a visit during your time in New York City.


What ages are appropriate for SculptureCenter?

SculptureCenter in New York City is a contemporary art museum that showcases innovative and experimental works of art. While there is no specific recommended age range for visitors, the museum is best suited for older children, teenagers, and adults who have an interest in contemporary art. The exhibits can be thought-provoking and may not engage younger children as much. However, if you have a budding art enthusiast in your family, they might still enjoy the experience! It's always a good idea to check the current exhibitions and programming on SculptureCenter's website to see if there are any family-friendly events or activities planned during your visit.


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