Do you love theatre and have a passion for sharing it with others? Consider joining team BroadwayWorld as one of our local contributors!
BWW is always seeking talented theater enthusiasts to head up feature coverage our over 130 regional areas. As a volunteer, you will have the opportunity to review the shows of your choice, conduct interviews with local and touring talent, design features of your own choosing for publishing, and work/network with your local theater press reps to bring exposure to the theatrical offerings in your area.
All applicants should have excellent writing skills and an interest for giving local theaters and productions some prominence on BroadwayWorld.com.
For more information, click here!
To submit news to BroadwayWorld, click here.
Aliya Al-Hassan Aliya Al-Hassan is UK Managing Editor of BroadwayWorld. A London-based theatre critic and journalist, she has a life-long passion for the arts, with a focus on theatre. She is always keen to promote new work and smaller venues. Follow her on Twitter @aliyajaderosa | |
Cheryl Markosky Hooked on theatre when a student usher at Theatre Calgary in her native Canada, Cheryl champions not only London's West End, but also regional venues. Splitting her time between London and Wiltshire, she believes she's lucky to pick up a number of shows given first runs at Theatre Royal Bath in the West Country. She's also supports work at Salisbury Playhouse. When not happily perched in the stalls, Cheryl still writes a bit about property and lifestyle for newspapers and magazines, including The Sunday Times and The Times. Cheryl also writes flash fiction and short stories, and is a member of Writers' HQ, Retreat West and The Society of Authors. | |
Cindy Marcolina Italian export. Member of the Critics' Circle (Drama). Also a script reader and huge supporter of new work. Twitter: @Cindy_Marcolina | |
Debbie Gilpin | |
Franco Milazzo The Daily Beast were kind enough to call me "a man with an encyclopedic knowledge of the city’s underground culture" and who am I to disagree? If you have or know of a show which is pushing creative boundaries in any art form and could do with an honest review, please let me know! [Potted Bio: I have been editing/reviewing stage productions since 2010 for some of London's biggest websites covering theatre, opera, dance, cabaret, immersive and everything in between.] | |
Gary Naylor Gary Naylor is chief London reviewer for BroadwayWorld (https://www.broadwayworld.com/author/Gary-Naylor) and feels privileged to see so much of his home city's theatre. He writes about cricket for The Guardian (https://www.theguardian.com/profile/gary-naylor) and is a lead commentator at Guerilla Cricket (https://www.guerillacricket.com/). He podcasts on 80s and 90s football at https://www.nessundormapod.com/. He writes on films at Letterboxd https://letterboxd.com/garynaylor999/. He tweets at https://twitter.com/garynaylor999. | |
Guest Author Guest author | |
Kat Mokrynski Kat Mokrynski is currently a writer for BroadwayWorld UK, having previously written for BroadwayWorld as a part of the Student Blogger program from November 2019 to September 2022. Some of her favourite shows include Les Misérables, Come From Away, The Play That Goes Wrong, and David Byrne's American Utopia. She enjoys interviewing people involved in the theatre industry and reviewing a range of shows, from one-hour comedies to four-hour immersive experiences. Kat recently graduated from King's College London with a Master's Degree in Arts and Cultural Management. When she's not bartending at an immersive theatre production or seeing as many shows as possible across London, you can usually find Kat wandering around historic sites, watching TikToks, or traveling around the UK. You can follow Kat on Twitter @larkofparis | |
Kerrie Nicholson Kerrie is a theatre writer and podcaster. With a disability called Cerebral Palsy, she's passionate about accessibility in the industry, and wants to give those like her a voice where they don't always get one. | |
Matthew Paluch | |
Michael Higgs Michael is a London-based publishing editor born with a passion for literature, theatre, music and the arts. When he isn't busy publishing new academic papers or writing reviews for Broadway World, he is also a fervent advocate of British cheese. | |
Mickey-Jo Boucher | |
Vikki Jane Vile Vikki Jane Vile has been reviewing dance for ten years, specialising in Ballroom and classical dance. In 2018, she became a member of the Critics' Circle for Dance. She prides herself on being a Strictly Come Dancing connoisseur since it's inception and has appeared on BBC radio as an expert on all things Strictly. Vikki also writes for Dancing Times magazine and has previously written for CultureWhisper and LondonDance.com. |
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